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Sidenote: ironically, the Steam version of Umineko seems natively Linux-compatible, so I could theoretically play it totally painlessly on my new Linux Mint computer, but since I needed to do so many modifications to get the game to play nicely in Japanese with the texthooker, and since textractor seems a bit complicated to run in Linux, I decided not to even try to get it working in Linux.
One of my friends said there are a bunch of things that are really interesting in this VN to revisit after reading through the whole thing once, and they recommended I play through it again afterward, so maybe I’ll play through it in English and actually get Steam credit for playing it haha after I complete it in Japanese…
I ended up reading a fair bit more without having the time to update this thread. Let’s see if I can remember my thoughts.
Thoughts on the School Festival chapter
Umineko is a funny VN because there will be horrible murders, and then in the next episode there’s a scene where Jessica just casually has brass knuckles and brandishes them at her classmates like this is a comedy manga.
The pretend boyfriend situation with Jessica and Kanon in this gave me secondhand embarrassment, haha. I’m a fan of that trope normally, but it’s less appealing when it’s heterosexual and also the way she’s obviously lying about it jkgfhg.
I did laugh upon discovering that: 1) Natsuhi is president of the PTA (of course she is…), and 2) that the word “PTA” exists entirely unchanged in Japanese??
I found it interesting how Jessica urged Kanon to basically create a double self… It reminded me of Maria’s double personality, especially in that both cases, the other personality sort of serves as a refuge for the person and a way for them to escape their terrible life.
I feel like there was some comment I wanted to make on how magic worked in this world, haha, but I don’t remember it anymore! 
Thoughts on the train scene at the start of the Chessboard Preparations chapter
Oof the scene with Maria and Rosa…
Their interactions never get any easier to read.
It was really sad to read, but I was intrigued by the way that Maria first begged her mom to save her even though her mom was the person hitting her, and then Maria told her to “come back”, and greeted her with “welcome back!” when Rosa returned to her right state of mind again. It was as if Maria viewed Rosa’s body as housing two different people, one who hurts Maria, and then a mother who saves her… She talked about it like Rosa was possessed by a “bad witch”.
That gets back to the theme of doubles that I mentioned earlier (it’s kind of similar, too, in that the double is used as a refuge, or at least for Maria, it’s a way to mentally separate the aspect of her mother who abuses her from the aspect of her mother who loves her).
It made me suddenly wonder if that’s how someone did it (the murders, I mean): they created a double of themself somehow and then killed their double to satisfy Beatrice’s riddle, while allowing them to go on to commit the other murders.