"Flesh&Blood" Vol. 8 - Pirate Series Reading Club šŸ“ā€ā˜ ļø ⛵

@ekg Thank you so much for sharing the drawings! I just hope you can manage to not look at them too closely ahead of time, as I think they can be pretty confusing out-of-context :rofl:

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The last chapters of vol 7 just flew by and now I’m just not willing to stop reading! ^^’

Chapter 1 thoughts

I really like Rufus as a character. :slight_smile: Here we get a glimpse of what kind of person he is, when he asks Jeoffrey to be his kid’s godfather. ^>^

After a lot of talking, they walk toward the celebrations and are reunited with the rest of the crew as the boy Nigel payed to get a message to Jeoffrey about their whereabouts finds them. Finally, Jeoffrey and the crew make their way to the Hoe where they find Nigel seriously wounded. :cry:

Jeoffrey give the order to bring Nigel onboard Gloria and Thomas, the doctor, to the ship to see to his wounds. they’re meant to set off after Kaito as soon as possible.

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Hahaha I know that feeling :sweat_smile:

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Chapter 2

Gloria has set off to chase after Kaito. Nigel regains consciousness for a bit and mumbles about his severe regret of his own actions, that lead to Kaito being abducted. Jeoffrey is alarmed. Poor Nigel. I’m pretty sure Kaito is willing to forgive him. If only he was able to do the same. :cry:

page 40
New vocab: äø‡ćŒäø€ * ć¾ć‚“ćŒć„ć¤ * in the unlikely event that
tbf, it’s not a new word or phrase for me, but I’ve never seen it written and so I was surprised at how straightforward it is! :eyes: It’s very unlikely 10 000 turns out to be 1.

Well, they’ve arrived in Portsmouth (?) where Jeoffrey intent to get in contact with the local authorities to see if they know something about spaniards roaming about, I’m assuming.

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chapter 3

page 46
Now for the most ridiculous Japanese word I’ve encountered so far: ćƒžć‚°ć‚«ćƒƒćƒ— = mug. From English mug AND cup because why not make a portmanteau of both words! :joy: (not to mention, they use 惞悰 on its own later, so what’s the nuance created by making it into one word? :thinking:

This chapter is from Kaito’s POV and we’re finally learning about his fate in the hands of Vincente. Basically, he was drugged and so has a rather panicky awakening, feeling like he can’t breathe. :grimacing: In any case, Vincente is playing nice, trying to win Kaito over. Kaito is rightfully very sus. :eyes:

Well, Vincente doesn’t have anything to offer Kaito to change his mind, no matter how much he’s telling himself he can somehow make Kaito be glad he ended up in Spain at some point in the future.

Kaito sure is giving Vincente a well-deserved hard time with his antics. XD Finally, he’s able to blow off some steam, though it does seem very ill-advised and dangerous. ^^;

EDIT:

Forgot to thank you for all your hard work on that. So many relationships and people who know each other. Sure gets confusing from time to time. ^^

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Chapter 4

They don’t find anything in Portsmouth. Instead Jeoffrey follows his deduction that Vincente has docked his ship at some pro-Catholic residence in the vicinity. And so they take off by horse instead.…

…Only to arrive too late to stop Vincente from having taken off with Kaito. Y_Y

I liked the urgency of this chapter. Very unlike the last time Kaito was taken away from Jeoffrey. This is much more direct action, since he’s allowed to take action on his own. Good man.

Still, they’re now on the back foot here, trying to catch up to Vincente’s ship, by ā€œborrowingā€ one from the Arundel residence! XD :pirate_flag: Sounded like a smol boat though. Hopefully it’s fast?

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Chapter 5 thoughts

page 85
New nautical vocab: å°åž‹č‰‡ 恓恑恄恦恄 ? small boat. But, from the description of it having 1 single mast, means it’s a sloop ć‚¹ćƒ«ćƒ¼ćƒ—.

I guess, it puts emphasis on it being a very small boat. ^^

spoilers

Anyway, the POV is back to Kaito in this chapter as he’s boarding the sloop with Vincente.

I don’t know what to say but Kaito is acting incredibly childish here. :sweat_smile: (the Leo scuffle) Leo VS Kaito has now been established! XD

I like that Kaito is constantly considering ways to flee, rather than resigning to his fate. :eyes: But, Vincente is clearly on to him, and there is no chance for him to escape. So, in the end, they reach the spot where the Santalliana is anchored at the mouth of the river and Kaito ends up in the captain’s cabin, surveilled by Leo as the ship prepares for departure.

There, Kaito sees his opportunity, overpowers Leon and render him unconscious. Getting off the ship is again a trial for Kaito to overcome his fobia of heights. And he’s quickly spotted as well. :fearful: But makes it down to the water and starts swimming…but Vincente has speed on his side as he use the sloop to catch up to him, bringing him back onboard. Poor Kaito despairs, thinking he’ll never see Jeoffrey again. :cry: Even so, please, Kaito, don’t think of drowning yourself! :cry:

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Chapter 6 thoughts

Jeoffrey isn’t doing much better than Kaito, as he desperately chase after Vincente. But a storm makes it near impossible to make much progress.

Nigel, being the frank and honest guy he is, insists on confessing the real events that took place when Vincente’s men took Kaito away. Jeoffrey is handling the truth pretty well under the circumstances. I feel the depth of their friendship is keeping them from truly wanting to harm each other. Jeoffrey concedes that it was unreasonable to expect Nigel to hold back his feelings Kaito. Even so, for the time being it seems their friendship is on hold. :cry: After getting Kaito back, Nigel might leave Gloria.

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Chapter 7 thoughts!

This is a Vincente POV chapter! :eyes:

Abbe Escobar, might possibly be based on:

it fits the picture with the connection to the Mendoza family and Vincente. But he’s dressed in Fransicaner garb, so I guess not. Antonio Escobar was with the Jesuits. Edit… his name is apparently Mauro as well.

In any case, Kaito is again faced with a religious figure. And as expected, having a Japanese heathen who does fortune telling for a living, so to speak, doesn’t sit well with Escobar (but, maybe he doesn’t know about the latter yet?). Regardless, he immediately accuse Kaito of witchcraft, having not sunk previously when swimming. Kaito really doesn’t have anyone on his side here, though Vincente is the closest there is to a protector I guess. Still, Kaito is very much on his own. :C Though, Vincente is clearly not a fan of Escobar’s wild accusations or talk of disaster for the ship from having Kaito on it.

Also, while I’m no fan of Leo’s harsh personality, he certainly didn’t deserve to be attacked by Kaito either. :cry:

After Kaito’s attempt to escape, he’s physically and emotionally drained into deep sleep. It’s up to Vincente to change him out of his wet clothes so he doesn’t get sick. Which is how Vincente notice the marks Jeoffrey has left on Kaito from their night together. Vincente believes the worst of what he’s seeing. But, Kaito wakes up only to be completely open about being Jeoffrey’s lover. I do hope Kaito stops being reckless and try to keep it together. He’s inviting danger, that’s for sure, with that priest being a clear threat! :fearful: Can’t say I much care for Vincente’s self-serving analysis of Kaito’s feelings for Jeoffrey as being essentially shallow and not real love. :angry:

Noticed this:

Besides what @NicoleRauch answered, there is a way to cheat the system as I’ve been doing in this thread. Basically, write up your comment, and then delete your last previous comment. Post your new comment. Then quickly re-surrect the old one. Voila. you have just posted more than 3 consecutive replies. ^^

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Oh yes, he sounds like a good role model for this general type of people. But the person you linked here was born 2 years after ā€œnowā€ so it can’t be exactly that person.

I found it pretty tough to search for the people in this volume, I guess that’s because of crazy katakana-ization and also weird Spanish naming schemes :eyes: If you discover any more people, I’d be happy to read up about them.

Haha I like :joy_cat: Beating the system at it’s best!

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So we all knew how this would turn out; you’re right as always, Nicole. Jogged through chapters 1, 2, and 3 before my brain demanded a break. Thoughts for all three:

Chapter 1

  • So Geoffrey initially befriended Nigel because he was interested in him, huh? Makes sense. Makes me wonder if the volume 6 bonus story will touch on that, given that I believe it’s set around that time.

Chapter 2

  • And now Geoffrey knows something went down between Kaito and Nigel in the field. This is going to get messy real quick, I can see it already. It was barely a kiss, but I know Nigel’s torn up with guilt about that + losing to Vicente, and Geoffrey’s been shown to have jealousy issues just by seeing people hang out with Kaito too much. Who knows where Kaito’s going to land in all this. I just hope this doesn’t become a bad stumbling block for Nigel.

Chapter 3

  • And now the part we’ve all been waiting for: what happened to Kaito. He wakes up in the basement of the manor of the lady who was hosting Vicente before, when he sent men to jailbreak Kaito. Kaito’s pretty upset with the whole situation, unsurprisingly, but I’d love to be in Vicente’s head right about now. Surely he knew it’s going to be tough to make Kaito not hate him, so I’m wondering what his long term plan is here. Hope he can isolate Kaito in his company long enough to get Kaito to like him? Kaito responds much more strongly to actions than words, so if there’s going to be a redeeming moment for Vicente in Kaito’s eyes, I’m betting it’ll be some sort of heroic sacrifice situation.

  • If Vicente and Geoffrey and Nigel ever all end up in the same room together without killing each other, they’ll have some very interesting notes to compare. For Vicente, Kaito’s been living in London since he was 9 and doesn’t need any special setup to perform divination, the complete opposite of what G&N were told. It’s kind of funny that both situations aren’t perfect for Kaito: he doesn’t know common knowledge that someone living in England for most of their life would know (as Vicente noted), but on the other hand he knows unusually specific things about a country he’s apparently never been to before (like knowing about the King Arthur stories, off the top of my head).

  • I wonder how Vicente’s going to deal with the point Kaito brought up: if he does successfully land in Spain with Kaito, Vicente doesn’t have the political power to protect him as well as he says he will. Heck, his direct superior has already advised him to kill Kaito the next time they met so the heathen demon child couldn’t screw up God’s plan for the world with his future sight (or something like that; been a while since that book.)

  • This has popped up a few times in previous volumes, and it repeating here reminded me: Kaito’s occasional bouts of nationalism have never sat right with me. I think it’s similar to the discussion about Kaito’s view of sex we’ve had on here before, where I as a reader don’t really identify with Kaito’s apparent anger at Englishmen working against England. I also don’t really feel like the story’s done enough to justify that attitude of Kaito’s, unless he’s just using it as a convenient excuse to tell off his enemies.
    From what I’ve seen, Kaito is a young Japanese man who wants to hold onto his Japanese heritage (speaking the language with Kazuya), who has been forcibly thrust from his home (present day England) into what’s essentially a foreign land (16th century England). The people he’s met, aside from a few close friends, have generally been hostile to him, and this is an era where he would never be considered a true Englishman anyway; he will perennially be considered an outsider. He doesn’t follow the general religion, which is basically equivalent to being politically opposed to the powers that be in all the ways they care about. So why get to upset at English traitors? Is it just a method to attack them in his own way, i.e. ā€œI can’t physically hurt you, but I know you care about this so I’ll accuse of being a traitorā€? Or does he truly believe the things he’s saying? What do you guys think?

Overall, I’m hoping Kaito doesn’t get rescued too quickly. I would like him to build a bond back up with Vicente; one party is definitely willing, at least, and I want to see more Vicente. :person_shrugging:

Them full color extra for this volume are :kissing_closed_eyes: too, btw.

(Chapter 2 spoilers)
I know, right? :sob: I hope Geoffrey isn’t too hard on him…

So I think this is the first time we’ve seen his first name. I need to do another search, see if I can figure out if he’s real or not. :S

(Chapter 1 spoiler)
Another incredibly sweet moment. It’s these little character interactions that I love.

I absolutely love this word; I don’t remember where I first saw it, but it’s truly genius, haha.

Thank you again for maintaining this! :pray: It’s such a helpful resource; when Kaito was thinking about the earl and his relationships I was making a mental note to check your diagram. :sweat_smile: That bad boy is a thing of beauty. One suggestion: could names that Kaito’s directly interacted with be bolded or something for easier parsing when you’re looking for a specific person?

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Wow so many interesting thoughts! I’m just going to jump in there,

I also feel there’s a disconnect here. But I have a different interpretation as to Kaito’s character. Basically, Kaito is English. I honestly forget what was told in volume 1, but I’ve always assumed he’s lived long enough there for it to be ā€œhis countryā€. People who emigrate, especially when young, seem to acclimate well to their new country of living. Retaining one’s language is common and schools generally support dual language studies to help people retain both aspects of their background, but that doesn’t mean you’re somehow still ā€œJapanese at heartā€ as years go by.

It gets less obvious with how Kaito is written as a character, his reactions and ways of thinking, being indeed very Japanese at heart. But, this is more of a writing error more than anything, imo, which is not unique in any way to Matsuoka-sensei. I find that most foreign characters are mistakenly portrayed with actions and ways of thinking that are ultimately highly Japanese, and basically authors have a genuine problem in imagining what type of thought-processes non-Japanese people take for granted or actions they’d likely take in difference to someone who’s grown up in Japanese society; especially in social interactions this is apparent imo! But, this is not unique to the writing of Matsuoka-sensei, but rather common across the board in manga, anime etc. It often results in this feeling of disbelief as to how characters react, speak or act in scenes, in view of them not being Japanese.


Not sure I can explain it all that well, but that’s also part of how the virginity trope was done here, relying on well-repeated phrases like ā€œI feel strangeā€ as if you you don’t know the mechanics of the act or how human bodies work. I always end up laughing when I spot that particular phrase, which is used a lot in BL, always a bit ridiculously. Especially, for a 17-year old guy living in England to be that sheltered, it just doesn’t make any sense to me from what I know of Western society (all guys watch porn, school teach about sex, most people have a relaxed view on physical intimacy and sex in general). Just my thought-process that it assumes Kaito is brought up in Japanese society, taking in norms that are must maybe more prevalent or natural there? Just my thoughts.

Edit

Forgot to mention, but There is also a layer of how Kaito is written as a character that is also widely used BL, which I tend to think of as writing men as if they’re women, especially when it comes to sex and intimacy.

Me neither! XD Interesting note from one of the free talks to the BLCDs, Jun Fukuyama (Kaito), talking to Tooru Ookawa (Vincente) commented on his first impressions of Vincente back in volume 1, as him taking a real liking to Vincente - only for the character to be mostly not present in the story besides Vincente thinking about that first encounter. lol

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Haha glad it’s not only me! I think I need to be cautious as you will overtake me any time now :grin:

It was actually mentioned a couple of times, including the very first time we met him, iirc :wink: But I also keep losing track with all this katakana craze :face_with_spiral_eyes:

Oh yes, please! He feels totally real to me, but I couldn’t come up with anything so far.

I thought this was easily topped by ęŗåøÆć‚«ćƒƒćƒ— :rofl: Like, ā€œportable cupā€? Yes…? :thinking: Is this a new invention, and before that people were drinking from cups that are glued to the table or something? :crazy_face:

Ah no worries! I do this mainly for my own entertainment :grin:
Although I must say that the English side of things is rater neat and clean compared to the Spanish/continental European side of things :face_with_spiral_eyes: If you e.g. look at the ancestral tree of the Habsburg folks, it’s like everybody married their first cousin or something :scream: Luckily nature intervened a few times, and people were taken from the reproduction chain by going crazy or infertile or such. But in general this level of incest is more than I had imagined, really.

That might be a good idea! Unfortunately I only have the newest version of the diagram and so I would only be able to do this on that one, plus I probably don’t remember for every person which volume they were in, so in order to avoid spoilers (through highlighting people from later chapters), I’d give this a try for the Vol. 10 chart only, if that’s okay? And just to clarify, would this also include people that Geoffrey directly interacted with, without Kaito being present? I’m e.g. thinking of the dude who told Geoffrey how Kaito could get out of the trial back in Vol. uuuh 5, I think? I’m not sure whether Kaito ever met him directly.

Yes, that’s exactly how I see it as well. I think he came to England like 10 years ago or so? So he spent more time in England than in Japan. Plus of course more important years in terms of associating with society and stuff.

Yes, that’s my biggest pain point as well, especially with Geoffrey who I think is written in a very unrealistic way.

Yes, I was afraid this would happen when I learned that BL is often (or always?) 儳性向け. :woman_shrugging:

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(Note: all spoilered replies are technically for up to chapter 3 here, though I don’t think any talk about specific plot information in volume 8 itself.)

Says the person who’s already done with volume 10. :stuck_out_tongue: Not to worry, I can’t pull off reading as much as I did this past weekend every day, or even every weekend. If things go well I might be caught up by the end of the month? And if they don’t then I should hopefully at least be close.

Gah, you’re probably right.

I had a double-take when I first read that and had to check myself on what I was reading. XD Now I always imagine everyone with cute little cup holster things. :stuck_out_tongue:

Oh, that’s totally fine! Sorry, I didn’t mean to imply I wanted you to update every single instance of the chart, haha. And yes, I think that would be fine, given that Geoffrey hasn’t met that many people that Kaito hasn’t.

He did, (volume 6 spoiler) to give that fortune in return for help with the trial, but we haven’t seen that on-page yet. Was that divination really that important plot-wise? Or is it the opposite, and basically just a throw-away kind of thing?

That’s very true. :thinking: I wonder if part of the disconnect for me is that, for the short period we saw him in present day England, he wasn’t all that happy with his life there then. Doesn’t mean he doesn’t feel English, of course, but I think it’s tricked me into not putting enough stock in that decade or so he’s already been living there.

This is also true. :thinking: I guess at some point, it gets really easy to corrupt a character in your mind, even as you read, since your brain has to filter the character’s traits and personality through so many different layers: author’s Japanese + he’s supposed to have been living in England + the reader’s own country and customs. I would love to see a Kaito written from the perspective of an Englishwoman; how would his reactions and thoughts differ?

Anything in particular that bugs you? Personally, I feel like he swings too fast into ā€œI would die for you territoryā€ in regards to Kaito; I think we mentioned this several volumes ago, but the romantic development could probably be slowed down by a few volumes and not suffer, imo.

I’ve heard that gay fiction written by men does tend to portray characters quite differently, but I’m afraid I don’t have much (any?) firsthand experience to compare with. :thinking: And that’s just written in English; I’m curious how the scene differs with Japanese men writing gay JP characters.

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OK great! I’ve updated the diagram in Vol. 10 and I think it contains only one highlight that you don’t yet know about (and if you think about it realistically, it should not come as a surprise really, but if you want to avoid it altogether then just don’t look at the topmost part of the diagram).

I was not exactly sure which of the figures in the middle Kaito actually met at Elizabeth’s court - did he meet Frances Walsingham (the daughter of our spymaster?) And her husband Philip Sidney? Anything else around our for ā€œjack’sā€ that I got wrong in your opinion?

Oh yes, good call! Then that’s settled.

Hard to pinpoint exactly but I’d say he is just way too soft and way too sweet and good. You know, if I think at ā€œclassical pirate storiesā€ (e.g. like Treasure Island or somesuch) pirates are presented as tough guys who swear, drink, rob, rape and kill without remorse. And this is of course a clichĆ© as well, I’m aware, but I think back in those times there was just not so much leeway for being really sweet and kind as everybody was pretty much struggling from day to day. Now if you look at Geoffrey, sure he also drinks and robs and kills without remorse if need be. But on the other hand he is really kind and friendly and supportive, and he reflects on himself and has true character development. Which would still be credible in so far (I mean pirates were not more stupid than other people, why shouldn’t they reflect on their own behaviour?) but then on top of that he has this super-moralizing attitude of ā€œI will always love youā€ and ā€œI’m soo jealousā€ and these things, and this just comes across as ā€œteaching the audienceā€ to me. ā€œThat’s how we are supposed to live our lives and our relationshipsā€ teaching, you know? Yes, I think that’s it in essence. And that’s also why I don’t believe that this is an 18+ series; I’d rather rate it 15+ to be honest, simply because of this ā€œteaching aspectā€ that I often find in teenagers’ literature but rarely in adults’ literature.

Murakami off-topic

Oh now I remember that I didn’t respond to your question!
Yes, in my experience sex scenes are a staple in Murakami’s books (in the Kafka book club we actually called them ā€œMurakami scenesā€), also including scenes with minors, along with violence and cruelty (towards humans and animals) so basically there is no taboo in his writing. Plus he often describes these things at a level of detail that feels quite unnecessary most of the time. I think he just wants to expose the reader as strongly as possible to a given situation. Which I don’t really mind as much, but sometimes it gets a bit disgusting. :woman_shrugging:

I would definitely hope so! :sweat_smile: If you happen to come across a good recommendation (in English or Japanese) please let me know.

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Whoops, might’ve already seen it. :sweat_smile: I saw your comment, went to look at the vol. 10 diagram, noticed the name, then thought, ā€œwait, is that bolded? strains eyesā€ No worries, though; like you said, it makes sense (and actually makes me more excited to read). Do you think the bolding stands out enough, on that note? Would bold + underline work better? Or do you think the bolding is enough?

I think you’ve got everyone. :thinking: This is something I’d need to re-read those sections for to be completely sure, but I think you’ve got everyone off the top of my head.

Ah, and I might have asked this before, but what program are you using to generate the diagram, out of curiosity?

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Uuuuhhh sorriiii! :flushed: I hope it doesn’t kill the suspense going forward!

ah ok phew :sweat_smile:

I actually wondered myself whether it would be visible enough… Question answered, I guess :wink:
I am not a big fan of underlining and this stuff, therefore I tried a different approach. If you could have another look and tell me what you think? Is this too jarring? Too strong? Too dark?

It’s called OmniGraffle (I’m on a Mac) but it’s just like any other better-quality drawing program, I guess. The layouting is all done manually by me, not by the program.

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There are some exceptions for sure. But, yeah, BL is great at what it does, but true realism isn’t it. I guess, some try for that, but I think, manga, an by extension, light novels all have this unrealistic aspect to some of the writing (the character, story etc.). Still, it’s great fun to read and experience, so I’m willing to forgive these gripes I might have! XD

I don’t read much gay fiction myself. But, as I was hinting at a bit previously, my reading of fanfics certainly include male writers. If you move outside of anime, manga and Japanese media, I think it makes for a different take on things more naturally.

As I said, manga isn’t just a visual style that keeps changing, but also a writing style of sorts, leaning towards the unrealistic, but lots of fun.

I can’t say I minded much about all the tropes of BL, and I’m still fine with a lot of it. But, Ii do take notice and think about it as I encounter them. Regardless, there is so much to love about this story that even if details might not be your cup of tea, I think that’s fine. :slight_smile: That’s how I feel at least.

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No, I like it. :thinking: The green is a nice ā€œneutralā€ shade, I think? Stands out, but it’s not overly bright compared to the rest of the image. I guess the only thing left is to put a little key in one of the bottom corners noting what the green stands for.

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Good point! Added :blush:

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