Does Wanikani teach all “radicals”?

I like WaniKani’s mnemonic way of learning Kanji and I’m using it to study Kanji I encounter in the wild that’s not included on here.

So far, all these Kanji have included the “radicals” WK teaches, so it’s easy to make mnemonics for them.

I’m just wondering if there are many Kanji out there which have “radicals” which aren’t taught on here?

(I keep saying “radicals” with the quotation mark as from what I understand some of them are made up by WK and aren’t actually proper radicals haha.)

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Hm well if we’re talking about the WK notion of radical then those are often just previous kanji you’ve learned. So any kanji that finds itself within another kanji could be a “radical”. But there are certainly even official radicals that WK doesn’t teach.

This is a list of the 214 official radicals (部首(ぶしゅ)): The 214 traditional kanji radicals and their meanings

These are mostly just used for organization. Each character gets one radical which is often used to order things like character dictionaries. (Although sometimes characters get radicals just so that they can be put into a category) There are quite a lot here that WaniKani doesn’t teach, although many of them are variations on other radicals. But there is for example ⾲ “leek” which seems to be used in about 15 kanji. Although none of them are 常用, or even very common. I’m sure there are more that are on that list and even components not on that list that get used in places. The question I guess is if the only notable thing about a character is that it uses a funny shape, how worth is it to know about that character.

EDIT: There’s also 瓦 “tile”. Which is used in joyo kanji and is on the 214 list but isn’t taught by WK

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A curious question. There are two things about WaniKani’s take on the kanji component “radicals” is that firstly, many of them are elementary enough that you could probably assemble anything if you use enough of them, and secondly, they’re often treated rather flexibly - i.e. close enough is good enough. So even for the kanji which are made up of parts that aren’t quite the same as WaniKani’s radicals, WaniKani would probably go “eh, close enough”.

For example, 臼 is not the same as 日, but WaniKani’s radical would probably be something like… “Oh, somebody dropped a mortar on the sun, and now it’s got a big crack in it”.

Or 繭 has an assemblage in the middle that’s “forehead” with “stick” in the middle, but WaniKani would probably go "eh, that’s close enough to ‘towel’ ".

WaniKani includes that one in the 瓶 kanji as “ten thousand” plus “drop” plus “ground”.

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鬱: Gloom
Mnemonic: 4 Grounds, 5 Sticks, 4 Barbs, 11 Slides, and 5 Drops walk into a bar…

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There are tens of thousands of Chinese characters out there, if you include all the rare and ancient characters things get really messy really quick. Where does a kanji like 龜 (traditional variant of 亀) fit for instance?

Here I compiled (hopefully) all kyuujitai forms of WaniKani kanji as well as their phonosemantic components: kanji phonetic and semantic components - Google Drive

If you dig in there you’ll find some unfamiliar shapes. Consider something like 乘 which is a bit tricky to break down nicely using WK so-called radicals for instance.

But frankly the question is a bit moot, WK treats 綱 and 網 as identical radical assemblies for instance, and says that 垂 uses the 車 radical. It’s not systematic or based on any sort of proper decomposition of the characters.

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That’s “north” with “grain” skewering it through the middle.

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Oh good catch. How about 齊 then!

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Well, this Y in the middle is a new one. Maybe we gotta invent a new radical that’s just the letter Y (in the same way as “lion” is just the letter L).

In the meantime, I’ma say it’s “lid” + “sword” + “horns” + “stick” + a modified “clan” + a modified “moon”

(WaniKani regards the bottom section of the “simultaneous” radical as “moon”, so there’s precedent.)

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I think RTK does a reasonable job here of trying to guide the student into the idea that they should make their own “component” mnemonics when they encounter new kanji that have clear subcomponents that didn’t turn up in the set RTK covers – there’s a set of kanji near the back for that purpose and some comments on how to approach it. But then RTK in general wants the student to do a lot more of the making up stories part themselves.

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For me the approach is always to look for phonosemantic composition. Even when the components don’t really work I still find that it makes it easier to break the kanji in two chunks and remember them that way.

Of course not every kanji is a phonosemantic compound, but over 70% of all WK kanji are, and as you get above level 40 or so it’s usually 80 to 90% of kanji.

Detailed keisei stats
 1:   18 (+18) (形声 0 - 0%): 一二九七人入八力十三上下口大女山川工
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28:  969 (+35) (形声 26 - 74%): 逆巨庫児冷凍幼稚処博清潔録隊修券婦奇妙麗微益移程精並憲衆傘浜撃攻綺沼揃
29: 1003 (+34) (形声 30 - 88%): 監杯乾催促欧江請雄韓壊診閣僚積督臣略航寄板街宗緊娘宴怖恐添猛烈索詰勧
30: 1036 (+33) (形声 28 - 85%): 魅渇系婚遊旗照快版貧乏適預延翌覧懐押更枕浮漏符購越飾騒背撮盗匂濡柵
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35: 1206 (+32) (形声 24 - 75%): 遅彫測破舎講滞紹介己厄亀互剣寿恥杉汁噌炎為熊獄酔酢鍋湖銅油醤喋戚
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37: 1276 (+34) (形声 25 - 74%): 跳昭漁償刑募執塁崩患戻抗抵旬湾爆弾聴跡遣闘陣香兆臨削契恵抱掲狙葬串眉
38: 1311 (+35) (形声 28 - 80%): 需齢宜繰避妊娠致刊奏伴併傾却奥慮懸房扱抑択描盤称緒緩託賄賂贈逃還膝噛璧
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42: 1450 (+34) (形声 30 - 88%): 克到双哲喪堅床括弧挑掘揚握揺斎暫析枢軸柄泊滑潟焦範紛糾綱網肝芝荒袋餅
43: 1482 (+32) (形声 26 - 81%): 珍裂襲貢趣距籍露牧刷朗潮即垣威封筒慰懇懲摩擦撲斉旨柔沈泰滅滋炉琴
44: 1514 (+32) (形声 23 - 72%): 寸竜縁翼吉刃忍桃辛謎侍叱娯斗朱丘梨叫釣髪嵐笠涙姫粒砲雷芽塔挨拶肢
45: 1550 (+36) (形声 26 - 72%): 岳澄矛肌舟鐘凶塊狩頃魂脚也井呪嬢暦曇眺裸賭疲塾卓磨菌陰霊湿硬稼嫁溝滝狂翔
46: 1587 (+37) (形声 32 - 86%): 墨鳩穏鈍魔寮盆棟吾斬寧椅歳涼猿瞳鍵零碁租幽泡癖鍛錬穂帝瞬菊誇庄阻黙俵綿架孔
47: 1624 (+37) (形声 31 - 84%): 砕粘粧欺詐霧柳伊佐尺哀唇塀墜如婆崖帽幣恨憎憩扇扉挿掌滴炊爽畳瞭箸胴芯虹巾煎
48: 1661 (+37) (形声 30 - 81%): 帳蚊蛇貼辱鉢闇隙霜飢餓畜迅騎蓄尽彩憶溶耐踊賢輝脅麻灯咲培悔脇遂班塗斜殴盾穫
49: 1696 (+35) (形声 30 - 86%): 駒抽誓悟拓拘礎鶴刈剛唯壇尼概浸淡煮覆謀陶隔征陛俗桑潤珠衰奨劣勘妃准慌蹴
50: 1731 (+35) (形声 32 - 91%): 峰巧邪駄唐廷鬱鰐蟹簿彰漫訂諮銘堰堤漂翻軌后奮亭仰伯偶淀墳壮把搬晶洞涯疫
51: 1767 (+36) (形声 29 - 81%): 又偉頂召挟枯沸濯燥瓶耕肯脂膚軒軟郊隅隻邸郡釈肪喚媛貞玄苗渦慈襟蓮亮聡浦塚
52: 1803 (+36) (形声 31 - 86%): 陥貫覇呂茨擁孤賠鎖噴祥牲秩唆膨芳恒倫陳須偏遇糧殊慢没怠遭惰猟乃綾颯隼輔蘇
53: 1837 (+34) (形声 29 - 85%): 寛胞浄随稿丹壌舗騰緯艇披錦剰繊諭惨虐据徐搭蒙鯉戴緋曙胡瓜帥啓葵駿諒莉
54: 1872 (+35) (形声 27 - 77%): 鯨荘栽拐冠勲酬紋卸欄逸尚顕粛愚庶践呈疎疾謡鎌酷叙且痴呆哺傲茎阿悠杏茜栞
55: 1908 (+36) (形声 27 - 75%): 伏鎮奉憂朴栃惜佳悼該赴髄傍累癒郭尿賓虜憾弥粗循凝脊昌旦愉抹栓之龍遼瑛那勿
56: 1943 (+35) (形声 30 - 86%): 拍猶宰寂縫呉凡恭錯穀陵弊舶窮悦縛轄弦窒洪摂飽紳庸靖嘉搾蝶碑尉凛匠遥智柴
57: 1976 (+33) (形声 24 - 73%): 賊鼓旋腸槽伐漬坪紺羅峡俸醸弔乙遍衡閲喝敢膜盲胎酵堕遮烏凸凹楓哉蒼萌
58: 2010 (+34) (形声 31 - 91%): 瑠硫赦窃慨扶戯濁奔肖朽殻享藩媒鶏嘱迭椎絹陪剖譜淑帆憤酌暁傑錠凌瑞菅璃
59: 2045 (+35) (形声 24 - 69%): 忌遷拙峠篤雌堪吟甚崇漆岬紡礁屯姻擬睦閑曹詠卑侮鋳蔑胆浪禍酪憧慶亜汰梓沙
60: 2079 (+34) (形声 28 - 82%): 款漣逝匿寡痢坑藍畔唄拷渓廉謹湧醜升殉煩劾桟婿慕罷矯某泌漸藻妄蛮倹狐冥
形声 total: 1481 / 2079 (71%)
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