I somehow missed this comment earlier! Yes, Tag is more of an art piece than anything. Kind of in the same vein as Antiporno I’d say. There is actually a really great video essay on YouTube about the women of Sono movies that I’ll look up and link when I get home. It touches on those films in particular (also Guilty of Romance/恋の罪 which I similarly enjoyed but which is pretty outside the horror genre and well into art film territory imo).
EDIT: @Daisoujou read your Letterboxd review and it was dead on. I can never get people to understand why I love it by explaining the plot. The plot isn’t even the part that draws you in!
Also this is the video essay, it’s in English but it mostly nails what I find so appealing about his films. Subversion and messy, complex female characters.



I have so many series going at once. I also struggled with the dialect a bit but definitely found the business meetings way harder to understand comparatively. My business vocab is bare minimum right now.


