Ah, I was referring to the Obon family reunion in general. But I see how that’s confusing because they’re about to go to the festival.
This got to the heart of what I was going for with that question, because this section evoked a really strong sense of nostalgia for me as well. Your whole response had some great insights and was really nice to read.
Spoilers for beyond this weeks reading (I suggest that only @NicoleRauch look): Don’t worry, there are no well scenes or anything I remember as claustrophobic. But you might want to never, ever, read Wind Up Bird Chronicle by Murakami (another favorite of mine).
True, but in this case I took it to mean that perhaps Yuu isn’t actually her son (which seems to be hinted at), which is why she doesn’t want to be called mum, or else that she doesn’t want to be called mum because it breaks the spousification fantasy (or both!).
I want to reassure everyone that nope, the reader isn’t expected to remember every relative
Teruyoshi uncle is the only one I remember by name from my English read. (Apart from Yuu and Natsuki families, of course.)
I find I go through periods where I’m fine with being in the middle of a bunch of things and periods where I want to churn through them one by one to pare down, and I’m in the latter at the moment so I read the first third of the book through chapter two yesterday (oof) and was going to try to finish reading the rest later in the day but ended up getting distracted by other things. Planning to read more/the rest soon though! So that was probably a more honest poll answer than “reading along”…
Definitely agree that at least from the part I’ve read, the extended family is safely catalogued in my head as “Yuu and Natsuki’s families” / Teruyoshi / everyone else.
If you’ve ever seen the movie Summer Wars, a lot of what Murata depicted reminded me of it, especially with the long table and tatami area where the relatives can sit down and eat. Summers at my grandmother’s in the countryside were a lot like this, except that I was bored to death because there wasn’t any internet connection. Additionally, there were also snarky remarks from relatives even as I tried my best to help out. I totally related and felt bad for Natsuki!
Edit:
I just read up on Murata and found that she grew up in Inzai which is exactly the place I was thinking of whenever Natsuki mentions New Town, Chiba. Didn’t put 2 and 2 together at first and thought she was talking about a fictional place.
I’m sorry if I’m being too much of a gushing Murata newbie, but that was another very enjoyable read! The way the scenes are described and the sentences flow is just nice for someone at my level. I hadn’t expected to enjoy a Japanese book in this way so quickly.
So many things this week.
Natsuki having trouble keeping track of all her family members (facial features scattered to the edges of their faces; is that a standard Japanese expression? kind of creepy…). The descriptions of the house, the silkworms, the insects flying around and the darkness keeps creeping in…
For me it’s a bit too early to tell but they clearly share their escapism. Like others have commented, we might be afraid to find out where that stems from.
My family never had gatherings of this size, but it definitely reminded me of similar scenes in movies. There’s a real sense of chaos with all the aunts and uncles and cousins. It’s vividly described; I could just hear the aunts あらあら-ing in my head.
I started wondering whether there is an uneasy relationship between Natsuki’s family and the rest. Her mother and sister seem to be outsiders (海 people vs 山 people - which I’ve noticed to be a common distinction that Japanese people make) and even her father seems to linger a bit in the vestibule, added to that that they are late (because of traffic, but is that really the reason? they never confirm that there was traffic, I think) and maybe even her sister’s carsickness. Maybe I’m reading too much into it, but to me it feels like they don’t really want to be there.
Indeed. That was an unsettling passage and also that her disappearance magic involves holding her breath.
One of the grownups says this near the start and it might be on of those standard expressions that I’m not familiar with yet. But is this saying that she’s happy with the gifts? What is the 悪いわね at the end expressing?
2. ほら、二人が綺麗になったからって照れないで
This is in a part where Natsuki describes that some distance grows between her and her cousins and then the grownups say things like this. Is the 二人 Natsuki and her sister? I got a bit confused about whether they are the only girls there (maybe they are the only young girls?). This is then saying that they shouldn’t be shy because they are so pretty?
3. こんな人いただろうかというようなでっぷりと太ったおばさんが手を叩き
Here, is the …ような clause modifying the でっぷり (“so fat that you wonder if such a person actually exists”)?
4. 私も連れていってと何度もねだったが、いつか迎えに来るから、の一点張りだった
This is right after Yuu promises that he won’t leave without telling Natsuki (if I got that right). It took me a while to figure out who was being stubborn/persistent in this sentence (was Natsuki persistently begging Yuu?) but in the end I settled on Yuu being persistent that she should come out to meet him sometime. Is that correct?
Only guessing here, but I think the 悪いわね is like the “Oh, but you shouldn’t have” we say in English when someone brings gifts.
ほら、二人が綺麗になったからって照れないで
This is said to the three boys who seem shy around the two girls, so yes, don’t be shy because they (Natsuki and Kise) have gotten pretty.
こんな人いただろうかというようなでっぷりと太ったおばさんが手を叩き
こんな人いただろうかというような is a separate part from でっぷりと太った I think, so I wouldn’t connect them. It was hard for me too to wrap my head around it. こんな人いた (there was such a person) だろうか (I wonder, I’m unsure) というような (like, as if?). Putting it all together we get, maybe, “like I was unsure there was before” which is horribly awkward. A fat aunt I’m not sure I had seen before maybe?
私も連れていってと何度もねだったが、いつか迎えに来るから、の一点張りだった
Those missing pronouns are killing me. I read this dialogue several times and I was never sure who was meant each time. I think Natsuki asked to accompany him, and he insisted that he would come meet her some day. Probably.
I just read back a bit and I saw that Yuu says something about いつか迎えがくると思う last week and that 僕はずっとそれを待っているんだ。At first this confused me even more, but:
Apparently the 迎え is something he is waiting for. Maybe he means the spaceship? All this time I had been thinking that he was looking for his own spaceship because it might have crashed on the mountain or something, but maybe he means that he is waiting for (and searching for) a spaceship from the aliens to come out and pick him up. If that is correct, then he is being persistent because he simply believes that the aliens will come for him at some point and then he simply has to go. I’m not sure in that case how he intends to inform Natsuki before leaving, though. Does he expect the aliens will wait so that he can go to Natsuki to tell her?
Edit: But then surely Natsuki could go with him… okay, I’m still confused
Oh right, true, he’s been waiting for the aliens to come get him, so maybe this 迎えに来る is again about the aliens coming for him, and not him coming for Natsuki? Would it hurt to insert some pronouns here and there, really? It’s probably clear to a native speaker or more experienced reader in ways I can’t even suspect at the moment.
As for how he’s going to say goodbye, I’ve wondered about that too. He may intend to send a signal from his spaceship or something, who knows what he has in mind.
Hmm, he made it clear that Natsuki can’t come with him earlier on, if I remember correctly, which is why I was confused when he said he’d come for her. I’m thinking you’re right, this was about the aliens picking him up. He seems to be very sure that there are rules about no earthlings tagging along.
Thinking of this is my first time reading an actual book in Japanese, I’m very happy how easy it is to visualize those scene from Murata’s language.
This sentence gave me a lot of trouble too. When I read it again as, 「いつか迎えに来るから」の一点張りだった, の made a bit more sense.
According to Jisho, 一点張り means “sticking to one point; focusing on one thing” or “always making the same bet”. So I interpreted the sentence as, “No matter how many times I asked him to take me with him, one day I’ll come to see you, was his only answer.”
Btw, cousin-met-only-at-Obon thing is also in short story 魔法のからだ from 生命式.
I think I already mentioned it during 授乳 book club when there was a talk about recurring themes, but since there are newcomers here, I decided to repeat myself.
So now of course I’m wondering if it’s autobiographical.
Gonna answer some questions before reading the thread this time. (My page numbers are from my kindle version and seem to not line up with the hard copy)
1. Hardest sentence to understand:
Summary
-pg15 手前の部屋は山形が使うから。奥の部屋は福岡が使ってるけど - how does one “use” Yamagata or Fukuoka. Is it families from those places?
-pg18 家族水入らず I was able to look up - I guess feeling outside of one’s family, like you don’t belong?
-pg.23 うらやましくて しかた がなかった did I parse this right? Is it saying I don’t know how to be jealous of Yui, or I’m jealous I don’t know what to do ”私は、自分も宇宙人になりたくて、帰る場所がある由宇がうらやましくてしかたがなかった”
2. What was your favorite new vocab word from this week’s reading?
Summary
宝探し was a fun and easy to understand word
豆電球 was similarly instantly understandable
a load of other stuff I had to look up, but nothing that stuck with me
3. Was there any passage that you found particularly intriguing? Did it resonate with you (either positively or negatively)? Was it surprising? Offer any insight or new perspective? Was it just beautifully written?
Summary
I read it a while ago, so don’t recall anything in particular. There’s a lot of general intrigue into their relationship and where this story is going
4. What do you think drove Natsuki and Yuu together? Why might they feel such an affinity towards each other?
Summary
I struggle to read deeper than they are just similar age / similar interests in a world full of old people - I can’t say I understand the 恋人 dynamic yet but keen to read on
5. How does Murata’s language paint the Obon scene? Do you have any childhood memories or traditions that you remember so vividly?
Summary
It paint a pretty vivid picture of a lively house, and people trying to uphold traditions. Similar to the big extended-family Christmas lunches I used to have when I was a kid, where there was a lot of people you didn’t know, or didn’t remember and you were forced to say “Merry Christmas” to.
Does it help if I point out 部屋は福岡が使ってる means Fukuoka is using the room not that something’s using Fukuoka? (otherwise it would be 福岡を)
I’d say yeah, it’s the speaker using the prefectures different groups of relatives are from as shorthand for the different family units while telling the newly arrived which room to use.
ty, I flipped things in my head when reading my notes. My previous thought was “how does a prefecture use a room”, but now I follow. Pretty sure we used to use cities sometimes when talking about room assignments or arrive times - but that didn’t come to mind.
水入らず means no outsiders, strictly, purely, so 家族水入らず would mean strictly family only, no outsiders. In the English translation of the book (I had read the sample, and it goes as far as this part), it’s given as “close-knit family”, which doesn’t seem entirely accurate to me, but works in context. In any case, the takeaway is that Natsuki doesn’t regard herself as a true member of this family, so when they are “family-only” it’s without her.
I understand this as “I couldn’t help but be jealous”
I find I go through periods where I’m fine with being in the middle of a bunch of things and periods where I want to churn through them one by one to pare down, and I’m in the latter at the moment so I read the first third of the book through chapter two yesterday (
